很佩服你这种人，明明什么都不懂，口气却不小。上个18年的数据
The music industry is growing again, and so are the incomes of its top artists. Billboard’s annual Money Makers report --which ranks the earnings of the top 50 music acts based on their U.S. concert grosses and royalties generated from domestic sales, streaming and publishing in 2017 --reveals that the collective take home pay for these artists grew 12.9 percent to almost $961 million, up from $851 million for the previous year. Broken down by genre, there are 24 rock, nine pop, nine country and eight R&B/hip-hop acts on this list; 29 of them are considered heritage artists, which have been active for at least 20 years and/or released a minimum of 10 albums.
As has been the case since this list's inception, touring revenue accounts for the lion's share -- almost 80 percent -- of the top 50's total income. It's no surprise then that this year's No. 1 and No. 2 respectively, U2 and Garth Brooks, mounted the top two most profitable U.S. tours in 2017.Nearly all of the 28 newcomers to the 2018 list, such as Lady Gaga, made the cut due to their live income.
On-demand streaming royaltiesaccounted for 8.2 percent of overall earnings; from sales, 7.4 percent; and from publishing, 4.5 percent. Physical and digital sales shrank 23.4 percent, but the good news is that the streaming royalties generated by these 50 acts totaled $78.9 million, more than double the prior year's $26.4 million total. Publishing royalties also rose 36 percent to $43.6 million.
官网昨晚公布了2018艺人美国音乐收入排名前50，其中24位属于摇滚、9位属于流行、9位属于乡村、8位属于R&B及说唱；29位职业生涯已起码20年或至少已发行10张专辑
其中巡演占这50位艺人总收入79.9 %，流媒占比8.2 %、销量占比7.4 %、版权占比4.5 %
实体和下载的收入比去年下降23.4 %，流媒从去年的2640万美元大涨至7890万美元，版权也上涨36 %到达4360万美元
总体来说，巡演占艺人音乐收入近80 %，远远甩开了其他音乐收入部分的总和，在未来的长时间里也暂时也不会改变
很佩服你这种人，明明什么都不懂，口气却不小。上个18年的数据
The music industry is growing again, and so are the incomes of its top artists. Billboard’s annual Money Makers report --which ranks the earnings of the top 50 music acts based on their U.S. concert grosses and royalties generated from domestic sales, streaming and publishing in 2017 --reveals that the collective take home pay for these artists grew 12.9 percent to almost $961 million, up from $851 million for the previous year. Broken down by genre, there are 24 rock, nine pop, nine country and eight R&B/hip-hop acts on this list; 29 of them are considered heritage artists, which have been active for at least 20 years and/or released a minimum of 10 albums.
As has been the case since this list's inception, touring revenue accounts for the lion's share -- almost 80 percent -- of the top 50's total income. It's no surprise then that this year's No. 1 and No. 2 respectively, U2 and Garth Brooks, mounted the top two most profitable U.S. tours in 2017.Nearly all of the 28 newcomers to the 2018 list, such as Lady Gaga, made the cut due to their live income.
On-demand streaming royaltiesaccounted for 8.2 percent of overall earnings; from sales, 7.4 percent; and from publishing, 4.5 percent. Physical and digital sales shrank 23.4 percent, but the good news is that the streaming royalties generated by these 50 acts totaled $78.9 million, more than double the prior year's $26.4 million total. Publishing royalties also rose 36 percent to $43.6 million.
官网昨晚公布了2018艺人美国音乐收入排名前50，其中24位属于摇滚、9位属于流行、9位属于乡村、8位属于R&B及说唱；29位职业生涯已起码20年或至少已发行10张专辑
其中巡演占这50位艺人总收入79.9 %，流媒占比8.2 %、销量占比7.4 %、版权占比4.5 %
实体和下载的收入比去年下降23.4 %，流媒从去年的2640万美元大涨至7890万美元，版权也上涨36 %到达4360万美元
总体来说，巡演占艺人音乐收入近80 %，远远甩开了其他音乐收入部分的总和，在未来的长时间里也暂时也不会改变
